But the Acid V is more than just another simple soft recreation. Of course, you can save presets for your sounds and sequences, work with macro controls, and more.Īrturia has created a beautiful emulation of the legendary Roland TB-303 here. There are reverbs, delays, dynamic processors, bit-crusher, and modulations like a Juno-60-inspired chorus. Finally, you can round off the Acid V sound with an impressive selection of effects found in a dedicated 4-slot multi-fx section. With this, you can generate varied, synced-to-the-rhythm automation whereby the iconic biting TB-303 sound can be pushed into new sonic directions. The Acid V plugin features three function generators which can be used as a classic envelope generator (ADSR…) or as a complex LFO with draw functionality. Something I don’t necessarily expect in a TB-303 emulation but fits here.ĭeep modulation, something that no TB-303 emulation has done before, can be discovered here. You can also unlock a flexible arpeggiator with various play directions and more. So you always stay inspired with new sequences. You can also quickly mutate existing sequences or transform them into new results in a handy transmutation section. Then, you can work with various built-in scales, change the rat, adjust gates, and with a click, you can also work polymetrically. Here you can classically edit the individual notes and set each note’s octave, slide, accent, and vibrato. Arturia has completely revised and massively expanded this. One of the most essential elements of the original TB-303 is its sequencer. Here you find four sections: sequencer, modulation 1, 2, 3, and effects. The gate opens to more sound design and rhythm features in an advanced mode. Via a pop-up menu, you can fine-tune the behavior of the different hands-on parameters like the cutoff range, bass boost, PW, and more.īut that’s not all Arturia has given its TB-303 software. But to make it more versatile, they built in 14 algorithms: crunch, crush, destroy, diode, distortion, germanium, metal, overdrive, soft clip, tape, tube, wavefolder, transistor, and thick.Īnd if the Acid V doesn’t sound like your original unit in your studio, no problem. Like a well-known hardware clone/replica, Arturia has added a distortion unit to its emulation. Next, you find a vibrato effect with speed and amount controls. When you first play it, you notice that this gives the sound much more power and volume. This starts with a multi-wave sub-oscillator with three octaves and volume control. But that’s all that comes from the original.Īlready in the main UI, you can see some clever new additions. There is also a sequencer with buttons and accent slide controls. A very Roland-like UI, a single two-wave oscillator, pitch, cutoff, resonance, envelope mod, decay, and accent. The developers have given the TB-303 engine significant feature gains.Īt first glance, the Acid V has everything the original has. However, Arturia did more with the Acid V than just a 1:1 software recreation of the legendary Roland Synthesizer. Yes, it was only a matter of time the TB-303 would join. The newest member of the Arturia soft family is the Acid V, a supercharged emulation of the TB-303. They bundle these in their popular V Collection bundle, currently in version 9. Regarding software, the French company Arturia focuses on refined emulations. The synth has often been replicated in hardware and emulated in software. It’s the Synthesizer epitome when it comes to techno, especially acid. Roland’s 1981 was supposed to simulate acoustic bass back then, but that turned out to be very different, as we all know it today. The TB-303 Bassline is a legendary Synthesizer. Arturia Acid V is a supercharged, still authentic emulation of the legendary Roland TB-303 with a multi-distortion, built-in modulation, and more.
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